The Heathen’s Guide to Going to Church: Adaptive Reuse of a Bygone Typology

THE STORY

The heart of communities in the West has always been the church, where congregants have not only worshiped and found greater meaning in their lives, but built their social lives around this hub. However, in recent decades, changing demographics and secularization have depreciated the church’s position as the social locus of society. This phenomenon is particularly conspicuous in Europe where its large, historic cathedrals have become progressively more vacant.

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Q+A: Alyson Steele, FAIA on a Museum for All, Not the Few

photograph of Alyson Steele FAIA in the foreground with stairs in the background

The National Museum of the American Latino opened the Molina Family Latino Gallery at the National Museum of American History in June. The 4,500-sq. ft. gallery is the Smithsonian’s first gallery dedicated to the Latino experience and Latino contributions to the United States. Designed to engage multigenerational and cross-cultural audiences, the Molina Family Latino Gallery integrates the universal principles of inclusive and accessible design. The content and overall experience are in English and Spanish and accessible to diverse visitors with varying physical, sensory, and brain-based conditions. Inform sat down for a conversation with Alyson Steele, FAIA, LEED AP, principal-in-charge for Quinn Evans, on the design of the gallery.

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Design Forum’s Cazú Zegers: Ecocentric not Egocentric

Changing our egocentric culture to an “eco-centric” one, says the Chilean architect Cazú Zegers, is when we  see ourselves as part of a complex system that needs to be treated with humility. It’s a message she shares as founder and director of Cazú Zegers Architecture and Foundation +1000. Named among the Latin American architects who break down barriers by Forbes Magazine in 2020, Zegers is a featured speaker for Design Forum: South is Up! June 3-4  at the Ballston Center at Marymount University in Arlington. Register and join her at  aiava.org/design-forum-2022.

In a recent Madame Architect interview, you said “The territory for America is just like monuments for Europe,” and yet student sketchbooks are still not filled with topographies and river paths today. Why are we still stuck on architecture’s monuments elsewhere to contemplate a vernacular future here?

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Through a Prism, Brightly: Baskervill’s Glass Light Hotel & Gallery

pink glass rabbit in a hotel lobby
Clients Doug and Pat Perry commissioned Peter Bremers to create leporine versions of themselves, whose parts were made in the Czech Republic and glued together in situ. Image courtesy of Baskervill.

Hotel lobby art — when it’s bad, it can be good (in that bad sort of way). But, when it’s great, it’s transcendent, which should be a goal of any hotel. The Glass Light Hotel and Gallery in Norfolk falls into the latter category, so named for the collection of Doug and Pat Perry, local arts patrons who purchased a 1912 office building that Baskervill transformed into a glass menagerie, now operated by Marriott’s Autograph Collection.

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