Do we need the commercial office drinking fountain?

We see them in office building corridors and wonder who uses them except for leftover coffee disposal. The local building code requires it, but is this one of those antiquated parts of the code that may need to be reevaluated? In early movies and television shows, the proverbial conversations at the water bottle station were business office norms.  As civil rights in the early ’90s required the station to be converted into a hi-low drinking fountain for accessibility, the impromptu meetings have now moved to office break rooms, inter-office corridors, or “collision areas” as we architects/interior designers call them.

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SAARC Art: Integration of Art in a Public Building

by Eliel Alfon, AIA | Design Principal, Hughes Group Architects

Throughout history, architecture and art have been an integrated process. They have always been a communication tool for most civilized cultures. In a way, this allowed a building or structure to have deeper meaning beyond its intended function and purpose. Public art is cultural expression.  Introduction of art in a public setting not only enriches the quality of the space, but it can reflect the soul of the community. 

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Notes on the Williamsburg Experiment

There’s an irony in writing a true account about the living history museum at Colonial Williamsburg. Its eponymous foundation and its curators have grappled with the same two questions for generations: Whose histories do we tell and how shall we recreate them? Today, Williamsburg faces a new set of questions beyond the facts recorded in the governours’ ledgers:  Whose truths do we tell and how shall we present them in concert together, especially in light of the 1619 Project, the Black Lives Matter movement, and Critical Race Theory, whose progenitors demand more than new lines of inquiry. They demanded action. Williamsburg has made clear efforts to juggle archaeology with interpretation, and it has also attempted to address the indictment of sophistry among its critics, which are legion. But, can the sites of Williamsburg’s 301 acres respond to our moment now?

In our post-vaccination world, Colonial Williamsburg is worth revisiting this summer, as I did in June—not for what its evidence reveals about Colonial America, but for our opportunity to change the course of what I’ll call the Williamsburg Experiment, ongoing for more than 380 years.

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Sustainable Equitable Cities: How We Move Shapes the City

This is the first of a three-part series on how we we move, develop, and build within our cities matters to the health and well-being of our planet and our communities by architect Kathy Galvin, FAIA

How we move shapes the evolution of cities, and cities, by virtue of their diversity, compactness, and capacity to innovate, will play a critical role in solving the chronic problems amplified by the pandemic, from global climate change to social and racial inequality. To successfully address these challenges, we must transform our transportation system.

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Community Remembrance: The AIA Virginia Student Prize Competition for 2021

Prompt written by Marcia Feuerstein, AIA, Associate Professor, and Susan Piedmont-Palladino, Director, Virginia Tech’s Washington Alexandria Architecture Center (WAAC)

At 5 p.m. on Friday, Jan. 22, architecture students across the Commonwealth of Virginia clicked a link to find the prompt for the AIA Virginia Prize Student Competition, which was open to students at Hampton University, the University of Virginia and both campuses of Virginia Tech’s architecture program, the main campus in Blacksburg and the Washington Alexandria Architecture Center (WAAC). Each year the responsibility of drafting the prompt rotates among the schools and this year it was the WAAC’s turn.

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In Solidarity and Action

As I type these words, helicopters buzz low over my Washington, D.C. neighborhood, and massive crowds stream through the streets in protest of the injustices perpetrated against George Floyd, Breonna Taylor, Ahmaud Arbery, and so, so many in the Black community over the last 400+ years. Injustices both outrageously specific and overwhelmingly systemic, and we grieve them.

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