The name of Katie MacDonald and Kyle Schumann’s firm After Architecture suggests architecture’s demise, which is probably an unwelcome prospect for many architects. The name also suggests that architects might collectively be able to choose their fate, for what comes after. For Le Corbusier, the choice was architecture or revolution. For Mies van der Rohe, the choice was between less or more. For Venturi, it was also between less or more (more or less). What comes after architecture, then? A both/and plurality of architecture and whatever it isn’t. Obviously. (Venturi would approve.)
More »Q+A: Donald Lococo on Market Volatility and Sustainability
Washington, DC-based architect Donald Lococo, AIA, is the founder and principal of Donald Lococo Architects, an award winning residential firm on the front lines of a post-pandemic economy rife with supply chain and labor challenges, as well as a local real estate market ablaze with low inventory and fever-pitch prices. By focusing on current work, Lococo has been weathering the volatility, and by pausing to reflect, he’s been mapping a path forward for new work with an emphasis on sustainability.
More »ARCHITECTUREFIRM’s Three Hills House is a Meditation on Simplicity in Cedar
Three Hills House occupies the middle hilltop of the eponymous triad, positioned squarely in a glade’s clearing. The approach to the 5,000 square-foot Fredericksburg by car circumnavigates the hill until it sharply turns into the entry path that takes us directly to the heart of the home, in a procession reminiscent of Aline Barnsdall’s 1922 Hollyhock House designed by Frank Lloyd Wright. Three Hills, designed by Richmond- and Brooklyn-based ARCHITECTUREFIRM, is subtler than Hollyhock, however, in its nod to the Mayan Revival of a century ago. There are no abstracted flowers in high relief, no images of the rain god Chac seen at Uxmal, and no stone serpents — just an unadorned frieze that makes the home appear a little grander than the term “one story” suggests.
More »Reader & Swartz’s Crooked Bow Tie is Dressed Up Down Home
Bow ties are still worn today, but not as popularly as they were two generations ago. For architects, bow ties have always been sartorial and functional — the less fabric dangling over your mayline, the better. Beyond fashion (and architecture), bow ties can signal class, disposition, vocation, and political allegiance. Bill Nye and Tucker Carlson are both passionate devotees, as were Karl Marx and Groucho Marx. Wearers spark uncommonly strong reactions by non-wearers, from endearment to hostility. One New York Times correspondent called the bow tie a “red flag that comes in many colors,” while one Virginian-Pilot correspondent concluded that, “bow tie wearers are not like the rest of us.” Pre-tied and self-tied divide wearers, as do different styles such as the butterfly, the batwing, and the diamond point.
More »Virginia Tech’s Opening Gambit for the NoVa Tech Scene by SmithGroup is a Window to the Future
The word innovation isn’t just a rejoinder to the debate in education about value these days. It seems to also suggest a new typology of flexible and adaptive spaces. Virginia Tech is currently developing a four-acre Northern Virginia Innovation Campus in Alexandria, which will open in 2024 with a 300,000 square-foot Innovation Center Academic Building (ICAB) designed by SmithGroup. Its principal-in-charge, David Johnson, AIA, says that the emerging typology is less about form and more about accommodating the changing needs of an array of user groups. “The intellectual framework for the innovation center is about accelerating ideation and discovery by bringing together competing and interdisciplinary interests,” says Johnson, “but to be more precise, most, if not all, of our design goals were related to human centered design.”
More »Through a Prism, Brightly: Baskervill’s Glass Light Hotel & Gallery
Hotel lobby art — when it’s bad, it can be good (in that bad sort of way). But, when it’s great, it’s transcendent, which should be a goal of any hotel. The Glass Light Hotel and Gallery in Norfolk falls into the latter category, so named for the collection of Doug and Pat Perry, local arts patrons who purchased a 1912 office building that Baskervill transformed into a glass menagerie, now operated by Marriott’s Autograph Collection.
More »Shannon Wray: Creating the Perfect Workplace Hybrid
Opened in 2019, Quinn Evans’ Fairfield Library project featured a custom workstation that updates the classic library carrel to incorporate self-directed learning for children and peace of mind for caregivers. In this interview, Shannon Wray, a senior interior designer at Quinn Evans, talks about the discovery process and the iterations that led to a 2020 IIDA/ASID IDEA Interior Design Excellence Award for the hybrid workstation and play space. “It creates privacy and it also fosters community and conviviality,” she says, “but to get there, we had a bunch of little ‘ah-ha’ moments that lead to the final design.”
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